Making of Kia Hamster Bringing Down the House
NUKE 9 Live Event Recording
NUKE 9, including the eagerly anticipated NUKE STUDIO and major updates to NUKE and NUKEX, is the result of two years and countless man hours of development reworking NUKE from its very core to build a faster, more powerful, broader range of unique tools to help you get the job done. For more information about NUKE, visit: thefoundry.co.uk/products/nuke/
DEMOREEL – LBS 015 – ROMAN BETANZOS
Website : http://www.roman-vfx.com/
Goldtooth Creative 3D Animation Reel 2014
CALL OF DUTY®: Advanced Warfare – “Discover Your Power”
Final ‘Hunger Games: Mockingjay’ trailer
Paddington: From Page To Screen – New Featurette
Paddington Trailer 3
God Only Knows – BBC Music
It is your Destiny
The opening to Bungie’s Destiny takes place where astronauts discover The Traveler, an object that gamers will encounter later as they play. Prologue worked with Bungie to deliver this cinematic and we found out from some of the key team – directors Simon Clowes and Ilya V. Abulkhanov, CG supervisor Lee John Nelson, producer Armando Plata and FX supervisor Alan McKay how they did it – including a surprising practical shot.
Rodeo helps Birdman soar with invisible fx
Alejandro González Iñárritu’s Birdman is the story of Riggan Thomson (Michael Keaton) playing a Hollywood actor past his prime – once famous for the superhero Birdman but now trying to kickstart his career as a Broadway producer and thespian. The film is presented in one seemingly long continuous take, thanks to the efforts of Gravity cinematographer Emmanuel ‘Chivo’ Lubezki, who also helps illuminate Riggan’s complex relationship with his alter ego during several hallucinatory events. Whilst certainly not a large scale visual effects film, Birdman features numerous seamless invisible shots, including the long takes and the odd events that happen around Riggan. Helping to bring those to the screen was Montreal studio Rodeo FX headed by President Sebastien Moreau. We find out how some of the key shots were achieved from visual effects supervisor Ara Khanikian.